Bristol · BS · 0 minutes — home turf
Sound Design & Foley for Film, Games & Ads
in Bristol
Looking for sound design & foley in Bristol? Bristol is our home city and the reason the studio exists. From the trip-hop DNA of Massive Attack and Portishead through Bristol drum & bass, dubstep, jazz revival at Strange Brew and the folk-rock circuit around the Louisiana and Rough Trade, the city rewards records that mean something.
Sound Design & Foley for Bristol artists
We handle the whole sound side of picture — original sound design, custom foley, ADR recording, dialogue editing and final mix — for indie film, animation, games, advertising and immersive work. Every project gets a lead designer from spotting session to final delivery, working to your picture-lock schedule.
Local venues and promoters we work with regularly include Strange Brew, Rough Trade, The Louisiana, Exchange, Thekla and Trinity — plus BBC Introducing in the West, Noods Radio and 1020 Radio for airplay.
We're 0 minutes — home turf from our Bristol control room — most Bristol projects run as a mix of in-person days at the studio and remote revisions, whichever fits your schedule.
What's included
- Original score & sound design
- Custom foley recorded on our foley stage
- ADR recording (in-person or remote-directed)
- Dialogue edit, cleanup & de-noise
- 5.1, 7.1, Atmos & binaural mixes
- Broadcast-safe deliverables & M&E splits
Around Bristol
FAQ
What formats do you deliver?
Stereo, 5.1, 7.1, Dolby Atmos, binaural — plus stems and M&E splits for international versions. We follow the delivery spec you send.
Can you work to picture from anywhere?
Yes — we work off frame-accurate references and streaming review sessions. Most film projects run entirely remote until final mix approval.
Do you licence music too?
Yes. Our sister label Ramshackle Records holds a growing sync catalogue and we can score bespoke where nothing off-shelf fits.
Do you travel to Bristol?
For attended sessions we usually host you in Bristol — it's 0 minutes — home turf — but on-location tracking, foley recces and rehearsal-room production days in Bristol are all things we do when the project calls for it.
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